‘Restless Objects’ is an ongoing ritualistic rehearsal towards a possible act of emptying the museum from its heritage.
How are high-value artefacts being delivered from one collection space to another and what institutional undercurrents does this procedure bring to the surface?
In which ways does the continuous moving of plundered collections perform the imperial power structures, and what other actions can transgress this performance?
What happens when the art handlers are re-choreographed, and what rehearsals and actions should we practice for a possibility of emptying the Museum spaces?
Dramaturgie & künstlerische Beratung
Christian H. Cordes